Podcast for Social Research, Episode 65: Wendy Eisenberg—Process, Performance, and Musical Power from Below

In episode 65 of the Podcast for Social Research, recorded live at BISR Central, songwriter, improviser, and ecumenical instrumentalist Wendy Eisenberg took to the “stage” for an intimate solo performance of new acoustic work. They then sat down with BISR faculty Jude Webre for a wide-ranging discussion of their musical formation, theoretical inspirations, and promiscuous reading habits. Topics touched on include being the “type of guy” who’s inspired by Tom Verlaine; implicating others in your own embarrassments; the jazz training to noise pipeline (“codified at Bard”); “hardcore” as a blurry signifier; the brilliance of Brazilian music; Astrud Gilberto, voice leading, and musical power from below; the 4-track as time machine; how to change a line without touching it (as per William Gaddis); and sexy books for summer reading when all the trees are plump.

The performance begins at 3:08 and discussion at 48:23.

You can download the episode by right-clicking here and selecting “save as.” Or, look us up on Spotify or iTunes.

The Podcast for Social Research is produced by Elliot Yokum. If you like what you’ve heard, consider subscribing to Brooklyn Institute’s Patreon page, where you can enjoy access to all past and future episodes of the podcast.

Podcast for Social Research, Episode 65: Wendy Eisenberg—Process, Performance, and Musical Power from Below
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